As previously documented, I’m stuck on block printing. It seems to be a make that’s stuck–I keep trying new things, experimenting, and envisioning new blocks.
Here’s a small block I made of a circle with an x through it. I played with light to dark colors here, with a mix in between. I’m actually quite pleased with the result and want to print it again, on a larger scale or a different color cotton. Dark fabric, light print would be amazing.
Eventually, I’m thinking of turning these into little zip cases for notions and other bits and bobs you carry around in your purse. What do you think?
I have a lot of sketchbooks. Ones that are half filled, ones that are entirely filled, ones never touched. I start them, I stop them, sometimes, I finish them, whatever that means.
But, nothing is more special to me than the way I conceive of my music podcast, available at my other love, P+C. It’s a labor–and a form of art–to pick the list of potential tracks, to draw out what I think the artwork should look like, and to eliminate and create the final track list.
Occasionally, that book also turns into a sketchbook or a space to dabble–with new, small scale block prints, or quick little drawings.
What kinds of lists and sketches do you keep?
I’ve been working on a First 100 Days sketchbook as a way to address my pent up anger and to try and put this time, and these feelings, into my artwork and express.
I recently made a #nodapl block print–an issue extremely close to me as a Native American. It should be an issue important to all Native Americans. This is my sketchbook reaction to recent news that the pipeline easement would be granted.